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Studying the Score PDF Print E-mail
Conducting
Written by Bruce Gale   
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A
conductor also needs to be adequately prepared for the task at hand. Inevitably, this implies that a good deal of time should be devoted in advance to the study of the work that is going to be rehearsed. Studying the score involves:


  • Identifying the various melodies, including any contrapuntal textures.

  • Analysing the harmonic background of these melodies and relating this to the phrase structure.

  • Pencilling in the phrase structure on the score and marking in breathing places.

  • Analysing the rhythmic pattern of the melodic lines.

  • Studying key relationships.

  • Analysing the basic rhythmic structure of the entire work.

  • Studying the work's intellectual form and content.

  • Studying the work's emotional content.

  • Deciding when and how to resolve rehearsal problems.




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