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    When it's not all plane sailing

    This article was published in my regular "mata jeli" column in the Singapore Straits Times on August 21, 2009.  The piece describes the Medan Band's trip from Medan to Palu (Central Sulawesi) via Jakarta in July 2009.

    This article was published in my regular "mata jeli" column in the Singapore Straits Times on August 21, 2009.  The piece describes the Medan Band's trip from Medan to Palu (Central Sulawesi) via Jakarta in July 2009

    TRAVELLING on Indonesia’s domestic airlines can be a real adventure. The experience of the members of a 30-strong Indonesian brass band whom I accompanied, together with their musical instruments, from Medan in North Sumatra to Palu in Central Sulawesi via Jakarta last month amply illustrates the point.

    The saga is one of regulations ignored, restrictions imposed where none officially existed, shoddy handling of fragile items and the poor attitude of public relations staff. But there were also instances of good-hearted people doing their best to help out, even if at times it meant bending the rules.

    The story begins at Medan’s Polonia airport, when an advance party of band members attempted to check in a bulky home-made wooden box containing an old tuba whose protective case was no longer available. They were stopped at the entrance by security guards operating the X-ray machine, who insisted that the box was too big and should instead be sent by a separate cargo flight. After some argument, the advance party removed the tuba from the box and was permitted to carry the instrument into the departure hall.

    Surprisingly, the crew raised no objections to the presence of the tuba in the cabin of the aircraft on the flight to Jakarta. Too big to fit in the overhead compartment, the tuba was held throughout the journey by one of the band members. This was hardly in accordance with flight regulations, but at least the airline’s employees sympathised with the band member’s predicament.

    Things were different when the tuba was carried on board a connecting flight to Palu operated by the same airline. The captain of the second aircraft objected strongly, railing against the ignorance of his colleagues when it came to airline regulations. But he too finally relented. Perhaps it was the look on the young man’s face. The prospect of having to dump a perfectly good tuba without the protection of a suitable case into the plane’s cargo hold seemed too much for anyone to bear.

    Meanwhile, as the main party was preparing to leave Medan, inquiries were made with airline representatives regarding the acceptability of several boxes of similar size. Airline officials had no objection. “We are concerned about weight, not size,” they said. Subsequent checks with senior airport security officials elicited a similarly positive response. The official in charge of security, who turned out to be an amateur musician, even promised to facilitate the screening process. Thus it was that on the following day, bulky items previously deemed unacceptable by airport security guards breezed through the check-in process.

    The return journey was uneventful by comparison. But when band members arrived in Medan and went to claim their baggage, they had a nasty surprise. Several instrument cases, including one that contained a brand new trombone, were badly damaged. Clearly, they had been subject to some very rough handling by ground staff despite the bright orange “fragile” stickers. One old tuba was so badly damaged that it was later deemed beyond repair.
    This time around there were no understanding airline staff to make life easier. “That problem is not our responsibility,” barked one official when informed of the damage.

    Indonesia’s domestic airlines do not have a good reputation. In 2007, responding to the country’s poor safety record, the European Commission (EC) imposed a blanket ban on all Indonesian airlines. That ban was partially lifted last month when four airlines – flag carrier Garuda Indonesia and Mandala Airlines, together with two charter companies, Airfast Indonesia and Premiair – were again permitted to enter EC airspace.

    This story concerns one of the three domestic airlines – Lion Air, Batavia Air and Sriwijaya Air – currently listed in the top grade in the Transportation Ministry’s three-tier classification system, meaning that they qualify for an Aviation Operator Certification (AOC) issued by the International Civil Aviation Organisation.

    According to Transportation Minister Jusman Syafii Djama, “after the AOC is given, the European Union is most likely to lift the ban for them as well”. But Indonesia’s airline industry needs to pay attention to other things besides safety.

    Somewhat surprisingly for those who regard graft as at the root of just about all of Indonesia’s problems, at no point in the above chain of events did anyone hint that a problem could be solved with an under-the-counter payment. Instead, it was rather a case of kind-hearted people breaking rules in order to overcome problems created by others.

    Regulations should not be broken, of course. But it is also true to say that low-level security officials should be trained not to make pronouncements on subjects that are beyond their area of expertise. Customer satisfaction would be increased enormously if passengers could board an aircraft confident that their fragile items would be treated with care, and that sympathetic airline officials were on hand to deal with any problems.

    In the meantime, travelling on Indonesia’s domestic airlines is not something for the faint-hearted.

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    Many people believe that musicians are more moody and prone to suicide than other professionals, and that - as a result - a greater percentage of them end their lives in mental institutions or are fated to live emotionally tempestuous lives. Musicians are also commonly suspected of being over sensitive to criticism, having delusions of grandeur and other neurotic traits.

    The statistics fail to bear this out, although it is possible to find enough examples to make the case in front of those unfamiliar with Western musical history. Like actors, politicians and others obliged to face the public on a regular basis, musicians probably have their fair share of emotional problems. However, such problems do not constitute evidence of neuroticism.

     Musicians probably have their fair share of emotional problems. 

    Beethoven was known for his moodiness, but this was probably closely related to his growing frustration as he began to go deaf. Among the famous composers, only Schumann and MacDowell ended  up in mental institutions. Musicians probably have no more suicidal impulses than the rest of the population. But should a prominent musician decide to take his life, it is likely to get a good deal of publicity.

    Perhaps the most morbid suicide was planned by the pianist Alexander Kelberine, who arranged his last concert programme to consist only of works dealing with death. He then went home and took an overdose of sleeping pills. Schumann jumped into the Rhine, only to be rescued by a fisherman. Rezso Seress composed Gloomy Sunday, a work that was once banned in Europe because it triggered a wave of suicides by young people on Sundays. Seress himself committed suicide by jumping out of a window. The vast majority of musicians, however, die of causes that reflect the state of medical knowledge in the particular historical period in which they live.

    Some musicians certainly had sad lives. Mozart, perhaps the greatest of the composers in the Classical Period of music, died a pauper. The pianist Chopin, a Polish nationalist and tormented lover, was terrified of large audiences. He died of tuberculosis when he was 39. Bizet, a French composer who died when he was 36, was beset by crises of self-confidence and emotional upheaval. Unlike Chopin, his works only achieved widespread recognition after his death.

     Wagner had the emotional maturity of a spoilt child. 

    George Gershwin only had a short life, but it was a good one. He died of a brain tumor when he was 39 after a rags to riches story that made him one of the most well known composers of popular music in  the United States.

    Others lived long and had much success, despite treating others abominably, including many of their friends. Wagner considered himself a genius as a playwright, poet, stage director, and philosopher as well as a composer, and was not shy about letting others know it! Although not particularly handsome, his personal magnetism was such that he had numerous affairs, usually with married women, despite the fact that he was married himself. His biographers describe him as having the emotional maturity of a spoilt child, complete with tantrums if he could not get his way. He died at the age of 70, widely acclaimed as one of the greatest composers of his time.

    The pianist Franz Liszt's dashing good looks enabled him to have numerous affairs with many woman. He died of pneumonia at the age of 75. Contrast this with the fate of Schubert, who was short, fat, bespectacled and naturally shy. He died of syphilis at the age of 31 after his friends encouraged him to visit a brothel. Those who knew him well described him as having a warm and friendly nature. Somehow, it doesn't sound fair.

     The life of J.S. Bach must have been very boring. 

    The majority of musicians now and in the past lead fairly quiet lives. Edward Elgar, a largely self-taught musician, rose from humble origins to become the first English composer in 200 years to gain international acclaim. He had a stable marriage, and was regarded by many as a typical English gentleman. He died at the age of 77. Sergei Rachmaninov, the Russian composer, also had a good life despite being out of step with his country's politics and music. He died at the age of 70.

    The life of J.S. Bach must have been the most boring of all. He spent almost his entire life in the same small region of Germany where he was born. And nobody took much notice of him either. It was not until about 80 years after his death that his works attracted the attention they deserved.

     

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