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Unlike piano players, ear training is essential for wind band performers. But how many band directors bother to give their bands suitable exercises?
While tuning is simple act of adjusting a length of tubing on a wind instrument (often by reference to a single note), intonation is an ongoing process in which a player strives to match the pitch of others in the ensemble during performance.
A common misconception among wind players is to believe that the air moves through the instrument in order to produce the sound. This is simply not true.
The best way for a conductor to improve is in front of a live ensemble. The unfortunate reality, however, is that this is not always possible. Aspiring conductors therefore have little choice but to find other ways of honing their skills.
This section takes a look at some of the basic design and performance issues concerning the three major groups of instruments in the concert band. The idea is to highlight as many common themes as possible so that a non-specialist can get a good overall view of the problems facing players in each major group.
After studying the three sections you should be able to answer questions such as the following:
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A more detailed discussion identifying common problems specific to each instrument can be found in The Band Director's Handbook. See the home page for ordering details.