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Unlike piano players, ear training is essential for wind band performers. But how many band directors bother to give their bands suitable exercises?
While tuning is simple act of adjusting a length of tubing on a wind instrument (often by reference to a single note), intonation is an ongoing process in which a player strives to match the pitch of others in the ensemble during performance.
A common misconception among wind players is to believe that the air moves through the instrument in order to produce the sound. This is simply not true.
The best way for a conductor to improve is in front of a live ensemble. The unfortunate reality, however, is that this is not always possible. Aspiring conductors therefore have little choice but to find other ways of honing their skills.
Temperature has an important influence on pitch. A cold instrument will tend to play flat, while one exposed to relatively high temperatures (e.g. as a result of prolonged exposure to sunlight) will tend to play sharp. The air temperature inside the bore, rather than the instrument itself, is the critical factor here. Because cold air is denser than warm ari, the air moecules provide greater resistance to the sound vibrations and thus lower the pitch.
Manufacturers specify a room temperature of 72°F (22°C) as ideal for both tuning and performance. Unfortunately, such temperature conditions are not always possible in performance. Even so, the intonation problems associated with variations in air temperature represent a powerful reason why bands should tune-up on the stage and not be entirely dependent on back-stage tune-ups.