So Near Yet So Far

Focus Articles

Warning

JUser: :_load: Unable to load user with ID: 62

: Tan Hui Yee; BBJ Activities; 09 August 2011; Hits: 1346

So Near Yet So Far

Talented BBJ tuba player Lasnointer Marbun wanted badly to study music in Singapore, a relatively expensive proposition. But in the end, it was English, not money, that stood in his way.

This article was published in the Singapore Straits Times on August 6, 2011.

Indonesian tuba player Lasnointer Marbun wanted badly to study music in Singapore, a relatively expensive proposition. But in the end, it was English, not money, that stood in his way.

The talented 24-year-old musician grew up in a boys’ home in the Sumatran city of Medan because his farmer parents were too poor to bring him up.

He had his heart set on studying in Singapore’s Nanyang Academy of Fine Arts (Nafa) from 2006, but it was a hard slog mustering the $17,000-a-year course fees on his 800,000 rupiah (S$113) monthly salary as a musician.

After Noin – as he is often called – shared his Christmas wish to study here so he could be a composer some day, a 30-something Singaporean businessman who wanted to be known only as “Mr Ong” offered to sponsor his three-year course at Nafa.

The dream was tantalisingly close. Noin flew to Singapore in March and passed Nafa’s audition. Unfortunately, he could not make it through its mandatory English test.

He returned home a week later and took another stab at passing Nafa’s English requirement by taking the Internet-based Test of English as a Foreign Language in April. But he managed a score equivalent to only 400 out of a maximum 677 points, 100 points shy of Nafa’s requirement.

It brought Noin to tears. “I felt so sad and disappointed, but what can I do? I know my English is not good.”

He has since enrolled himself in a four-year programme at Institut Seni Indonesia in Yogyakarta, the country’s premier music school.

Despite the setback, Mr Ong has stood by him. He bought Noin a S$5,700 E-flat tuba and $900 Acer laptop to compose music. He has also promised to pay Noin’s course fees and living expenses in Yogyakarta, of about S$4,300 a year.

Mr Ong says: “Noin came across as a sensible young man who is thoughtful yet resolute in living his life. I would like to support him to make it happen.”

Noin, meanwhile, is grateful for the opportunity to further his studies in music even though his Singapore dream has been dashed for now.

He doesn’t rule out another attempt at Singapore education. In the meantime, he will hit the books and work on his brass.

“I must improve,” he says.

GO TOP

Latest Focus

A Dream Fulfilled

A poor but talented Indonesian E-flat tuba player who wants to study music in Singapore's prestigious Nanyang Academy of Fine Arts (NAFA), is very close to realising his dream.

An impossible dream?

When Joe Darion wrote the lyrics to the famous melody written by Mitch Leigh for the 1965 hit musical Man of La Mancha, I don't suppose he spent much time thinking about the ambitions of E flat tuba players.

Are musicians more moody and prone to suicide than other people?

Many people believe that musicians are more moody and prone to suicide than other professionals, and that - as a result - a greater percentage of them end their lives in mental institutions or are fated to live emotionally tempestuous lives. Musicians are also commonly suspected of being over sensitive to criticism, having delusions of grandeur and other neurotic traits.

The statistics fail to bear this out, although it is possible to find enough examples to make the case in front of those unfamiliar with Western musical history. Like actors, politicians and others obliged to face the public on a regular basis, musicians probably have their fair share of emotional problems. However, such problems do not constitute evidence of neuroticism.

Musicians probably have their fair share of emotional problems.

Beethoven was known for his moodiness, but this was probably closely related to his growing frustration as he began to go deaf. Among the famous composers, only Schumann and MacDowell ended up in mental institutions. Musicians probably have no more suicidal impulses than the rest of the population. But should a prominent musician decide to take his life, it is likely to get a good deal of publicity.

Perhaps the most morbid suicide was planned by the pianist Alexander Kelberine, who arranged his last concert programme to consist only of works dealing with death. He then went home and took an overdose of sleeping pills. Schumann jumped into the Rhine, only to be rescued by a fisherman. Rezso Seress composed Gloomy Sunday, a work that was once banned in Europe because it triggered a wave of suicides by young people on Sundays. Seress himself committed suicide by jumping out of a window. The vast majority of musicians, however, die of causes that reflect the state of medical knowledge in the particular historical period in which they live.

Some musicians certainly had sad lives. Mozart, perhaps the greatest of the composers in the Classical Period of music, died a pauper. The pianist Chopin, a Polish nationalist and tormented lover, was terrified of large audiences. He died of tuberculosis when he was 39. Bizet, a French composer who died when he was 36, was beset by crises of self-confidence and emotional upheaval. Unlike Chopin, his works only achieved widespread recognition after his death.

Wagner had the emotional maturity of a spoilt child.

George Gershwin only had a short life, but it was a good one. He died of a brain tumor when he was 39 after a rags to riches story that made him one of the most well known composers of popular music in the United States.

Others lived long and had much success, despite treating others abominably, including many of their friends. Wagner considered himself a genius as a playwright, poet, stage director, and philosopher as well as a composer, and was not shy about letting others know it! Although not particularly handsome, his personal magnetism was such that he had numerous affairs, usually with married women, despite the fact that he was married himself. His biographers describe him as having the emotional maturity of a spoilt child, complete with tantrums if he could not get his way. He died at the age of 70, widely acclaimed as one of the greatest composers of his time.

The pianist Franz Liszt's dashing good looks enabled him to have numerous affairs with many woman. He died of pneumonia at the age of 75. Contrast this with the fate of Schubert, who was short, fat, bespectacled and naturally shy. He died of syphilis at the age of 31 after his friends encouraged him to visit a brothel. Those who knew him well described him as having a warm and friendly nature. Somehow, it doesn't sound fair.

The life of J.S. Bach must have been very boring.

The majority of musicians now and in the past lead fairly quiet lives. Edward Elgar, a largely self-taught musician, rose from humble origins to become the first English composer in 200 years to gain international acclaim. He had a stable marriage, and was regarded by many as a typical English gentleman. He died at the age of 77. Sergei Rachmaninov, the Russian composer, also had a good life despite being out of step with his country's politics and music. He died at the age of 70.

The life of J.S. Bach must have been the most boring of all. He spent almost his entire life in the same small region of Germany where he was born. And nobody took much notice of him either. It was not until about 80 years after his death that his works attracted the attention they deserved.

Go Top

Concert Nerves

In his book Random Reflections, the late English classical composer and pedagogue William Lovelock recalls an occasion where he was called upon to examine music candidates at a school.

Hitting the Right Notes

FOR a country of 240 million people, Indonesia’s Western music scene is surprisingly low key. There are only two well-established symphony orchestras, well-designed auditoriums are rare, and few Western-trained musicians can find enough work to make a decent living.