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    Welcome to The Concert Band

    This web site is dedicated to college and secondary school concert and wind bands. It contains information about the various instruments employed, as well as hints about band training (including technique and intonation), conducting, the physical laws the govern sound production, and anything else I think the young musicians who play in these bands might find helpful. Some sections (such as the one on interpretation) are more for band directors than players, of course, but overall I have tried to include something of interest to just about everyone.

    There is also a large section devoted to the activities of the Brass Band Jenderal (BBJ), a Salvation Army band based in Medan, Indonesia. If you are interested in this Band, click here.

    Some of the information on this website has been extracted from my book entitled The Band Director's Handbook: A guide for College and Secondary School Band Directors in Southeast Asia. The book also includes additional chapters on pedagogy and the varying characteristics of different wind band instruments that are not included in this website. It also has a chapter devoted to writing arrangements and transcriptions for wind band. To order a copy of my book, see the publication details below.

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    BBJ stands for Brass Band Jenderal. It means “The General’s Band” in English. The band is based at a Salvation Army Boys home in Medan, Indonesia. Sometimes called “The Medan Band” by foreigners, it was given the name BBJ in 1989 by General Eva Burrows (the Salvation Army’s international leader at the time) when she met band members in Bandung, Indonesia Read about it here.
    This is the section where I intend to post a variety of articles expanding on subjects not discussed in detail on other parts of this website. Click here.

    This website includes several free scores for both wind and brass band that you can download and use with your band. One of my favourites is an arrangement of Handel's Hallelujah Chorus that I wrote for brass band. To take a look as the music, click here. To take a look at the other scores currently available on this website, click here.

     

     

    This book has been written in response to the need for a comprehensive yet affordable guide for wind band directors. It is a practical manual, dealing with the principles of embouchure formation, tone production, and articulation for every major brass and woodwind instrument. Special chapters are also devoted to the fundamentals of conducting and writing transcriptions. In every case, the idea has been to approach the subject matter from the point of view of the non-specialist.

    You can purchase the handbook online

    http://www.mphonline.com.my

    Or From The Amazon.com

     

     

     

    This section discusses some of the basic principles involved in getting beyond the notes and interpreting the music.  Not all of the principles outlined here need to be understood by band members in order to produce a musically pleasing performance. However, the conductor certainly needs to be aware of them if he is to bring out the best in his band! Click here.
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    Here is another free march for concert band. The following is the first page of the score:
     
    As with all other compositions on this site, the music is released into the public domain for noncommercial use. It can be freely copied and performed provided the music remains unchanged and the composer is duly acknowledged.
     
    You can download the music here. There are two files -  and parts. and  .
     

    Unpublished

    Woodwind instruments do not have as much in common with each other as brass instruments do.  In fact, there is so much design variation that it is even difficult to come up with an acceptable definition of what woodwind instruments actually are.  Virtually every common denominator has an important exception.  As a result, it is not easy to make generalizations about such matters as embouchure formation, intonation problems or technical difficulties that are relevant for all woodwind instruments.  Fortunately, there are some natural subcategories (single versus double reed instruments, for example) around which the bulk of the discussion can be organized.  At this level at least, common characteristics can be more easily identified and potential problems addressed. 

    This, then, is the approach I have taken here.  As in the case of the section on brass fundamentals, the emphasis is on basic principles and design issues, and how these affect the way woodwind players actually make music.

     

     

     

     

    This section contains music written for concert or wind band, by which is meant a performing ensemble comprising the usual members of the woodwind and brass instrument families, together with various percussion instruments. 

    All scores have been released into the public domain for non-commercial use. They can be freely printed and photocopied provided the music remains unchanged and the composer is duly acknowledged. Commercial use, including the sale of sheet music or professional recordings, is prohibited without the permission of the composer.

    Composers who accept these conditions are invited to submit works to us for possible inclusion on this website. Please submit your music in PDF form, and include an MP3 recording for evaluation.

    Visitors are welcome to take a look at anything they find interesting. However, only registered members can download the scores. The same is true of all recordings (mostly mp3 files) throughout the site, including those available in the focus section.

    You can register as a member from the home page.

     

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